Kevin Devine – Put Your Ghost To Rest

October 25, 2006 at 7:01 am | In Uncategorized | 6 Comments

A Shiny New Machine Rating: 9.2
Kevin Devine new album cover

Track Listing:

1. Brooklyn Boy
2. You’re Trailing Yourself
3. Just Stay
4. You’ll Only End Up Joining Them
5. Billion Bees
6. Less Yesterday, More Today
7. Like Cursing Kids
8. Go Haunt Someone Else
9. The Burning City Smoking
10. Me & My Friends
11. Trouble
12. Heaven Bound And Glory Be

    First off, I must make a confession. I’ve been a huge KD fan for some time now, so, to steal a line from the classic film / rock and roll tour-de-force “Airheads,” this album could have been “Pip farting on a snare drum” and I probably would have given it a positive review. That being said, I honestly believe Kevin Devine’s major-label debut delivers both for new listeners and those more familiar with Devine’s humble tone.

    Devine opens his fourth album with an introduction and the type of honest lyricism his fans have come to expect: “Brooklyn boy, born and raised / Chopping lines, hey hey.” The latter line a reference to his struggle with cocaine; a topic revisited a few other times throughout the album (“You’ll Only End Up Joining Them”, “Me & My Friends”). Like his previous albums, PYGTR is split between soft, heart-breaking tunes and more up-beat rock-out numbers, with a majority of the tracks falling somewhere in between. Stand-out tracks on the album’s softer side are the ultra-folksy “Less Yesterday, More Today” and the concluding subtle lullaby “Heaven Bound and Glory Be.” While the heavier songs never quite match the intensity of earlier KD songs like “Cotton Crush,” tracks like “Trouble” and (the last minute of) “Just Stay” are sure to produce some serious head-bobbing.

    Lyrically, Kevin Devine remains in top form. His talent for alliteration shines on both “Like Cursing Kids” and “Go Haunt Someone Else”; the latter of which boasts lines like: “The moralist on the mountaintop / the cap gun cowboy caught playing dress-up…” among other equally impressive strings of words beginning with similar consonant sounds (unfortunately there’s no synonym for “alliteration”).

    Prior to the release of this album I read a few concerns that Kevin Devine was being picked up to a major-label solely in the hopes that he could marketed as the next Elliott Smith. While Devine does list Elliott as one of his major influences, there is something distinctly different about his music: the element of hope. Not to take anything away from Elliott Smith (and believe me, I am a huge fan of his as well), but listening to a Kevin Devine album puts me in a better mood than I was in before listening to it. While he does share Elliott Smith’s ability to break hearts (forgive me for the preceding and following moments of corniness) he also seems to have the uncanny ability to repair them as well; all during the same song. And in case you’re not convinced, Kevin Devine himself seems to allude to his more hopeful side in the song “Just Stay” when he informs the listener: “I sing like this, it sounds worse than it is/ I’m okay.” Kevin Devine’s first release for Capitol Records is more than just “okay;” it’s awesome.

    My Favorite Line: “I drift into a dream / And I’m sailing on some sea / Shooting whiskey with my Irish bride” – From “Trouble”

    MP3: Brooklyn Boy

    MP3: Me & My Friends 

    MP3: Just Stay (Live at Shubas 5/13/05) 

     

    POSTED BY: Chris

     

    6 Comments »

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    1. [...] Major label debut.  This is pretty much the sole reason why this album was not my top pick for 2006.  Anyone who’s familiar with Kevine Devine or Miracle of ‘86 knows what’s missing from this album, its the strained, shaky voice.  This is still a phenomenal album that deserves much praise, read the review here, if you don’t believe me. [...]

    2. [...] I saw KD three times this year. First time was in July with the full Goddamn Band at T.T. the Bear’s. Next was at the Paradise as part of the awesomely enjoyable Hotel Cafe tour. Then I saw him perform as an opening act earlier this month on the Straylight Run tour at the Axis. Kevin has an uncanny ability to make every performance so intimate and different. I could probably see him 5 times a week and never get sick of it. 2006 was a huge year for KD, with the release of his first album with Capitol Records titled “Put Your Ghost to Rest” (read my review here) and an absolutely relentless touring schedule. With that in mind, it would have been totally understandable for him to have a less-than-spectacular show in December due to fatigue. Yet, he managed to pull out one of the best opening sets I have ever seen. He closed with one of my favorite concert moments of the year by covering Elliott Smith’s “The Biggest Lie.” And wouldn’t you know it, some super-amazing person caught that moment on video and posted it on YouTube. Thanks whoever you are! [...]

    3. forced to crossdress

      news

    4. Somehow i missed the point. Probably lost in translation :) Anyway … nice blog to visit.

      cheers, Flunkyism

    5. I love your site! :)

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